One feels the Daddy Girija-Kumar track should have been peppered with spice. At many places, they could have gone beyond scratching the surface. Otherwise, the dialogues are largely plain. If the likening of Mohanlal to a 'pasi pilladu' who can be a Narasimhudu doesn't peeve us (note that this is a known line), it's because the Complete Actor is such an endearing persona. When it's not a native superstar, elements like these are not appreciated as well as they would otherwise have been.
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Watching this, you wonder whether this is 2016 or 1996. He affirms love and after some public display of affection, a duet-cum-family number follows. At sunrise, she wakes him up like a lovely wife. She shuts the door and he has to sleep outside with his 'bava' and brother. Look at the episode: He drinks, she doesn't like it. But what is even more old-fashioned is the track involving the hero, his wife, brother and the 'bava'. Namitha as that suggestive Julie aunty doesn't help the matters either. The bad cop RK's attempt to rape Myna is narrated in a mediocre way. Unfortunately, Mohalal's terrific act and screen presence is not complemented by the way the sub-plots are narrated. It's moments like these where 'Manyam Puli' becomes a nice watch. That action is the film's soul is proved also by the fact that Kumar's guts come out unannounced but effectively in the adda of one baddie (read Khadar bhai). Action choreographer Peter Hein and director Vysakh leverage their creativity to make the most out of such scenes where Kumar's emotional investment in saving the lives of his villagers is admirably played out and intertwined with the action part. If Mohanlal's intro scene is qualitatively as good as the kind of intro scenes we see in massy Tollywood films, the kind of gradual yet imaginative tempo-building before the hunting scenes is a major plus. The first 10 minutes of the film, which sees Kumar as a child plotting to hunt down the tiger which butchered his father, is breathtaking. 125 cr Mollywood grosser 'Pulimurugan' comes with a lot of Malayalam nativity, but from the beginning, there are healthy doses of heroism - a kind of heroism not associated with mass masala entertainers, but a heroism which is nevertheless appealing to the mass audience. The climax is about how Kumar heroically rises to the occasion and eliminates his own and the villager's problems. The second half sees the escalation of the sub-plots and the converging of all these sub-plots. Somewhere, the element of yet another killer tiger on a rampage even as Kumar is missing, is introduced. The unsuspecting Kumar and brother are unknowingly part of this racket as they believe it's all for a good cause. On the other hand, Kumar and his brother could just be in danger because they are apparently being taken for a ride by Daddy Girija's (Jagapathi Babu) pharma company that claims to be making an anti-cancer drug using 'ganjai' as an ingredient. RK (actor Kishore of 'Chandamama Kathalu' fame), the bad cop who had lusted Myna five years ago, is back in the village.
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Wife Myna (Kamalinee Mukherjee returns) doesn't like her husband doing such risks, but then, Kumar knows how to win over her by talking about the emotional reasons.Īll is not well in Kumar's life, though. This adventurous and smart killer of tigers is an utterly lovely husband at home.
When the beasts become ruthless, the frightened villagers approach him to do the saviour act.
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Kumar (Mohanlal) has been a pro at ferociously hunting down the tigers on the prowl in the neighborhood forest.
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